My own work in crystallography began in the Physics department of the University of Liverpool where no crystallography or mineralogy had been taught. I was expected to solve the crystal structures of some salt hydrates. Working later with Henry Lipson we relied heavily on the writings of von Groth. We had at this time to construct our own X-ray tubes. We pioneered the use of Fourier projections in structure determination and supplied hundreds of "Beevers-Lipson" strips which expedited the calculations considerably. These methods are of course now carried out by digital computers at some millions of times the speed. In 1938 I came to the University of Edinburgh as Dewar Research Fellow, and continued supplying Fourier strips to the crystallographic world and continued with research and teaching. I also took an interest in the history of both Chemistry and Crystallography in Edinburgh. In looking through the contents of a somewhat neglected attic in the Department I came across a rather soiled picture. It was a photographic copy of an oil painting of von Groth painted by a local artist in 1904, evidently to celebrate his 60th birthday. The legend beneath the picture stated "Given by His Friends in Many Lands". Now we had in Edinburgh at that time a famous professor of Chemistry, Alexander Crum Brown, who had taught not only general Chemistry but also Crystallography. he had taken von Groth's "Zeitschrift" from the first number and had a collection of Fuess goniometers, crystals and crystal models in his museum. Evidently Crum Brown had been a subscriber to his portrait. His great interest in crystals is also shown by a model made by him in 1880 of the structure of rock salt. the atoms in this model are made from balls of wool, alternately red and blue, wound around the junctions of knitting needles to give a correct representation of the well known structure.
I paid a disciple's visit to Munich in March 1995 and was shown the museum there with its souvenirs of von Groth. They have there the original portrait, but it has not been preserved as our copy in Edinburgh, which is now framed in our Crum Brown museum. I am very happy to have established this link between our two cities and two crystal enthusiast of a century ago.
C.Arnold Beevers
Edinburgh June 1995
Editor's Note:
I am grateful to the Librarian and the Assistant Curator of Minerals in the
University Museum, Oxford, who kindly showed me some of their books by
Groth and helped me to find the illustrations for this article.The portrait
upper left on the previous page is from the 'Obituary Notice', by Sir Henry
A. Miers published in the ''Proceedings of the Royal Society' A Vol 119
1928. The portrait has no caption, just his signature. The diagram is part
of page 347 in the fourth edition of 'Chemische Kristallographie' published
in 1905, with 801 pages, 750 woodcuts (for the diagrams) and 3 colour
plates.Clearly it is much easier to make diagrams using computers in 1995!
We have since found out that the portrait was comissioned by his friends who subscribed to give him a present of the portrait to commemorate the 25th anniversary of the founding of "Zeitschrift F�r Kristallographie" which happened to coincide with his 60th birthday.
We have also found that von Groth designed a set of wooden models for
teaching crystallography, which were manufactured by Krantz in Bonn. Ulrich
Burchard has written a book about them illustrated with drawings made by the
'Shape' program. The book, latest version of 'Shape' and the datafiles to
generate all the drawings are available for DM500.